Sunday 4 March

Fri 2 March 2012 – Sun 4 March 2012

The Festival opening weekend focused on strategies used by artists to explore the concept of durational experience, through music, live performance and film across Newcastle and Gateshead.

From the sustained music of Phill Niblock, Yoshi Wada, Susan Stenger and John Cage at The Sage Gateshead; to Hanne Darboven’s century of composed time and Kenneth Goldsmiths’ weather diary; to the slow shifts from dawn to dusk in the films of James Benning and Sharon Lockhart.

This weekend included new commissions and UK premieres, plus special guest appearances and talks by the artists.

Highlights included: the pairing of films by James Benning and Sharon Lockhart screened as dusk descended over the Festival; performances by Yoshi Wada with the City of Newcastle Pipe Band; Kenneth Goldsmith’s epic reading in the unique environment of Morden Tower; and the closing concert of Hanne Darboven’s Requiem.

Hanne Darboven: Requiem

Sun 4 March 2012, 8-10pm

St Thomas the Martyr Church

The UK premiere of Hanne Darboven’s Requiem is performed by Thomas Dahl, Director of Music at St. Peter’s Church in Hamburg and selected by the...more

Kenneth Goldsmith: The 1703 Weather Diary of Thomas Appletree

Sun 4 March 2012, 11am-2pm

Morden Tower

In this new commission, Kenneth Goldsmith read for three hours continuously, from the... more

Yoshi Wada: Sound Ship upon Tyne Live

Sun 4 March 2012, 2-30-3.15pm

Discovery Museum

This new composition for bass drum and highland bagpipes, is performed live within Yoshi Wada’s sound installation at the Discovery... more

Sharon Lockhart: Double Tide

Sun 4 March 2012, 4–6pm

Tyneside Cinema

Double Tide documents a female clam digger in the mudflats of coastal Maine, as she wades slowly through the water. Filmed on the rare occasion in which... more