Schedule
10am Welcome
10.15am - 11.15am Rick Prelinger
Redeeming Reuse: The Audiovisual Commons and the Social Contract
11.15 - 11.30am BREAK
11.30am - 1.30pm
Online Archives and Cultural Access
Chaired by Annet Dekker
Rebecca Clemens - Electronic Arts Intermix
Mike Sperlinger - Lux
Poppy Simpson - British Film Institute
Laure Prouvost - TankTV
Paul Gerhardt - Archives for Creativity
1.30-2.30pm BREAK
2.30 - 4.15pm
Artists and Archives
Jon Thomson and Alison Craighead
Vicki Bennett
David Lawson - Black Audio Film Collective
Iain Sinclair
Craig Baldwin
4.15-4.30pm BREAK
4.30 - 5.00pm
Charles Merewether - Now Time: Overcoming Matter
5.00 - 5.30pm
Plenary - all speakers
Chaired by Annet Dekker
Work Force
Where and When:
5th March - 2nd May
Artform:
Exhibitions
Highlights:
AV Late & Live: Sunderland
Images:
John Smith, Slow Glass (1988-91), courtesy of John Smith and LUX, London.
John Smith, Slow Glass (1988-91), courtesy of John Smith and LUX, London.
Mat Fleming, Glass Struggle, 2010, 16mm film and glass. Installation view of Work Force exhibition at National Glass Centre, Sunderland, courtesy the artist. Photograph: Louise Hepworth
Mat Fleming, Glass Struggle, 2010, 16mm film and glass. Installation view of Work Force exhibition at National Glass Centre, Sunderland, courtesy the artist. Photograph: Peter Merrington
Mat Fleming, Glass Struggle, 2010, 16mm film and glass. Installation view of Work Force exhibition at National Glass Centre, Sunderland, courtesy the artist. Photograph: Peter Merrington
Mat Fleming, Glass Struggle, 2010, 16mm film and glass. Installation view of Work Force exhibition at National Glass Centre, Sunderland, courtesy the artist. Photograph: Peter Merrington
Mat Fleming, Glass Struggle, 2010, 16mm film and glass. Installation view of Work Force exhibition at National Glass Centre, Sunderland, courtesy the artist. Photograph: Peter Merrington
Mat Fleming, Glass Struggle, 2010, 16mm film and glass. Installation view of Work Force exhibition at National Glass Centre, Sunderland, courtesy the artist. Photograph: Peter Merrington
Mat Fleming, Glass Struggle, 2010, 16mm film and glass. Installation view of Work Force exhibition at National Glass Centre, Sunderland, courtesy the artist. Photograph: Peter Merrington
Mat Fleming, Glass Struggle, 2010, 16mm film and glass. Installation view of Work Force exhibition at National Glass Centre, Sunderland, courtesy the artist. Photograph: Peter Merrington
Mat Fleming, Glass Struggle, 2010, 16mm film and glass. Installation view of Work Force exhibition at National Glass Centre, Sunderland, courtesy the artist. Photograph: Peter Merrington
Mat Fleming, Glass Struggle, 2010, 16mm film and glass. Installation view of Work Force exhibition at National Glass Centre, Sunderland, courtesy the artist. Photograph: Peter Merrington
Amber Films, Glassworks (1977). Installation view of Work Force exhibition at National Glass Centre, Sunderland, courtesy the artist. Photograph: Peter Merrington
Amber Films, Glassworks (1977). Installation view of Work Force exhibition at National Glass Centre, Sunderland, courtesy the artist. Photograph: Peter Merrington

Mat Fleming, Glass Struggle, 2010, 16mm film and glass. Installation view of Work Force exhibition at National Glass Centre, Sunderland, courtesy the artist. Photograph: Peter Merrington
Work Force draws together historical representations of labour in the industry of glassmaking through films from the 1970s to present day. Glassworks (1977) produced by Amber Films is a visual record of an industrial glass factory in Lemington on Tyneside. In John Smith’s Slow Glass (1988–91) a nostalgic glazier gives a very personal reflection on the changing attitudes to labour, industry and life in London’s East End in the late 80s. In a new 16mm film, Mat Fleming documents his attempts to master a technique in order to hand-make a series of hammer and sickle editions in glass; together these tools symbolise the ideal of unity between industry and workers.
Fleming’s film is commissioned by National Glass Centre with AV Festival 10. Work Force is curated by National Glass Centre.